Controller data creates modulation signals that vary parameter values.Note data specifies a note's pitch and dynamics.The two most important parts of the MIDI "language" for mixing with virtual instruments are note data and controller data. T he Most Important MIDI Data for Virtual Instruments (With most programs, you can retain the original, non-rendered version if you need to edit it later.) Rendering is also helpful in case the instrument you used to create the part becomes incompatible with newer operating systems or program versions. This lightens the load on your CPU (virtual instruments often consume a lot of CPU power), and "future-proofs" the part by preserving it as audio. However, after doing all needed editing, it's a good idea to render (transform) the MIDI part into a standard audio track. You can insert effects in a virtual instrument's channel, use sends, do panning, automate levels, and so on.
The virtual instrument's audio is typically not recorded as a track, at least initially.The track output sends audio from the virtual instrument into a mixer channel.Ĭompared to audio tracks, there are three major differences when mixing with virtual instruments: More commonly, a single track incorporates both the instrument and its MIDI data.The instrument inserts in one track, and a separate MIDI track sends its data to the instrument track.Programs handle virtual instrument plug-ins in two main ways: But the same MIDI data that drives a virtual bass can just as easily drive a synthesizer, and the virtual bass instrument itself will likely offer the sounds of different pickups. For example, if you record a standard electric bass part and decide you should have played the part with a synthesizer bass instead, or used the neck pickup instead of the bridge pickup, you can't make those changes. Because MIDI data can be modified so extensively after being recorded, tracks triggered by MIDI data are far more flexible than audio tracks.
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